Living and studying in Basel, it was only natural that I would become increasingly drawn to early music and historically informed performance. Basel is home to the Schola Cantorum Basiliensis, one of the world’s leading centres for the study and performance of early music.
I remember one of the first early music concerts I heard there, a concert by the incredible violinist Amandine Beyer, which completely captivated me. My curiosity for early music kept growing and, a couple of years later, I was incredibly lucky to have the opportunity to study Baroque viola at the Schola, precisely with Amandine. She is one of the people who have had the greatest influence on my musical development, through her unique way of understanding music and teaching, always full of positivity, imagination and inspiration.
Playing the Baroque viola has opened up a whole new world of musical projects and allowed me to explore different ways of making music. I regularly perform with ensembles such as Chiave d’Arco, Capriccio Barockorchester, Basler Madrigalisten and Camerata Bern, among others. Along the way, I have also had the opportunity to share the stage with musicians I deeply admire, including Amandine Beyer, Enrico Onofri, Christophe Coin, Leila Schayegh, and Gottfried von der Goltz.
J.S.Bach: Brandenburg Concerto No.6 with Stella Marenholz, Martin Zeller, Alex Jellici, Gian-Andri Cuonz, Tobias Frankenreiter and Marcus Bernhard.
Chiave d´Arco
With Camerata Bern and Sergio Azzolini in Zentrum Paul Klee
